Edgar = José Cura
Fidelia = Amarilli Nizza
Tigrana = Julia Gertseva
Frank = Marco Vratogna
Gualtiero = Carlo Cigna
Yoram David, conductor
Regia - Lorenzo Mariani
Scene e costumi - Maurizio Balò
Luci - Christian Pinaud
Assistente alla regia - Elisabetta Marini
Assistente ai costum - Alessandra Gramaglia
Maestri del coro e del coro di voci bianche -
Claudio Marino Moretti
Claudio Fenoglio
Edgar
Teatro Regio, 25 Giugno 2008 - 6 Luglio 2008
Dramma lirico in quattro atti
Libretto di Ferdinando Fontana
dal poema drammatico La Coupe et les lèvres di Alfred de Musset
Musica di Giacomo Puccini
Prima esecuzione della versione originale in quattro atti
nella ricostituzione effettuata sull’autografo a cura di Linda B. Fairtile
con la collaborazione di Gabriele Dotto e Claudio Toscani - Edizioni Casa Ricordi
Orchestra e Coro del Teatro Regio
Coro di voci bianche del Teatro Regio e del Conservatorio "G.Verdi"
Nuovo allestimento
in co-produzione con il Teatro Comunale di Bologna
The opera EDGAR by Giacomo Puccini was a much longer opera then I had thought. It was the 4 act version and according to the opera house it was with 2 intervals both 25 minutes and the opera was to end at 2330. It lasted to ca. 2345.
The only piece I knew from the opera was the tenor's aria from act 2 "orgia, chimera". It was a beautiful aria. The opera itself did not have many memorable musical moment except this aria. But here and there was Tosca, Madama Butterfly, Boheme melodies in it more raw form that was to be perfected in his later operas. The story of EDGAR was also flawed. No person became real person. Fidelia (the soprano) was simply just a good person, very true to Edgar. Tigrana (the mezzo soprano) had similarly just one level, she was simply only a seducer of men, provocative to others, egocentric. Frank, Fidelia's brother, was a good man inexplicable in love with Tigrana in the beginning and still a good man in the end. Gualtiero, their father, also good from beginning to end. And EDGAR himself, in love with two women, Fidelia for the purity and Tigrana for he seductive powers.
Act 1: Fidelia declare her love to Edgar. Tigrana mocks Edgar for being interested in pure love. She wants him back. Frank wants to know where Tigrana was, he waited for her. She doesn't want anything to do with him. Tigrana is acting provocative to the people of the village. In the end they want to drive her out of the village. Then Edgar comes in for the rescue. He is so angry with the village that he burns his own house and go away with Tigrana.
Act 2: Tigrana and Edgar has a castle with orgies going on all the time and gambling. Edgar is bored and wants out (Aria: Orgia, chimera). Tigrana will never let go of Edgar unless she herself is bored with him. Frank is a soldier now and his company visits Edgar's castle and now Edgar has found a way out as a patriotic soldier.
Act 3: Edgar's funeral except that Edgar is not dead, he pretends to be a monk. Frank tries to have a solemn funeral for the patriotic soldier Edgar. But the monk is making the crowd angry with his stories of Edgar's former life. The burning of the paternal home and running away with Tigrana, the courtesan. And his gambling and the orgies. The crowd is angry but Fidelia is telling the crowd that Edgar was not all that bad. And the crowd is no longer angry. But then Tigrana arrives pretending to be mourning Edgar. Edgar and Frank decides to out her as a liar. They used flattery and jewels and money. And then she agrees to tell the crowd that Edgar was thinking about deserting his country. Now the crowd is unstoppable and they open the casket but it is empty. Edgar reveals himself. And Tigrana is now proved a liar. And the village people is shocked by their own behavior as Edgar really was a war hero.
Act 4: Fidelia still thinks Edgar is dead. In a dream he has told her that she can be his wife in heaven. But the Edgar comes in and declares that first she will be his wife in the world. Beautiful love duet. Then Tigrana comes in and stabs Fidelia. Fidelia is dying while the village people prepare the wedding. Then Edgar comes back, he sees the blood. Fidelia can show her killer before she dies. And the END.
The production was beautiful and scenography was very natural, almost old-fashioned. The opera house was not full with people so the acoustics was not always the best. Amarilli Nizza was not the best voice, Julia Gertseva was better. Marco Vratogna and Carlo Cigni was really good as Frank and Gualtiero. And it was another triumph for José Cura as Edgar.
This page was last updated: June 20, 2022
